By Myriam Lambert
Through this publication, we wanted to consider the works for MIDIfied pipe organ that were created for the project Plein Jeu in the past two years. Some of the thinking included arose from the research undertaken in this context. Inspired by the poetry of the sound works, we offered observations and metaphors related to the works, the collective creative process, the operating mode of the MIDIfied instrument, the challenges involved in playing it, and the technological and computing inventions that have come out of this project. We also wanted to offer a historical perspective on the organ by focusing on its importance in Québec’s heritage and by providing an overview of the technical modifications that have given the instrument new characteristics and that have helped to decompartmentalize and even desacralize it. Although the task may have seemed as monumental as the instrument that inspired it, we took up the challenge with a group of excellent artists from diverse disciplines and an expanded, highly-qualified team.
Plein Jeu has begun in earnest and will continue to develop thanks to the expertise of the various partners it has brought together. Avatar, the ORCA research group at Laval University, and the nomadic stage Athénor will continue their research, creations, considerations, and inventions around the MIDIfied pipe organ. Already, new residencies are planned for the spring of 2022. The results of our explorations will be available on the websites of these organizations and through the blue tabs on the home page of this publication.
Credits
Publication edited by
Myriam Lambert
Artistic committee of the project Plein Jeu
Myriam Lambert, Pascale LeBlanc Lavigne, and Jocelyn Robert
Authors
Louise Boisclair
Anne-Marie Bouchard
Philip Gagnon
Andrée-Anne Laberge
Myriam Lambert
Pascale LeBlanc Lavigne
Jocelyn Robert
Manon Tourigny
Artists
Bruno Bouchard
Julie Bouffard
Simon Elmaleh
Benoit Fortier
Philip Gagnon
Nataliya Petkova
Jocelyn Robert
Josiane Roberge
Vincent Thériault
Project managers of Plein Jeu
Pascale LeBlanc Lavigne and Julien St-Georges Tremblay
Recording, mastering, and digital optimization of the sound works
Guillaume Côté
Technical and artistic assistants
Nathalie LeBlanc and Guillaume Côté
Communications assistant
Carole Siciak
Graphic design
Criterium
English translation of the original French texts
Oana Avasilichioaei
Copyediting of French texts
Valérie Litalien
Content programming and integration
Criterium and Julien St-Georges Tremblay
Published and distributed by:
Avatar, association de création et de diffusion sonores et électroniques
541, rue De Saint-Vallier Est, bureau 562, Québec (Québec) G1K 3P9
Telephone: 418 522-8918
Website: avatarquebec.org
ISBN: 978-2-920512-38-2 (French edition)
ISBN: 978-2-920512-39-9 (English edition)
All rights reserved © Avatar, the artists, the authors, 2022
Legal deposit:
Bibliothèque et Archives nationales du Québec, 2022
Library and Archives Canada, 2022
Avatar is an artist-run centre located in Québec City. Since 1993, the centre has supported the creation, production, dissemination, and circulation of audio and electronic works and artists in Québec, Canada, and around the world.
The creation of this project was made possible thanks to the Entente de développement culturel entre le gouvernement du Québec et la Ville de Québec, the Ville de Québec and thanks to the financial support of the Conseil des arts et des lettres du Québec and the Conseil des arts du Canada.